Worst Coen Brothers Riff: Suburbicon (2017)Īs someone who has acted in four of their films since 2000, George Clooney knows the Coen Brothers as well as just about anybody in the industry. While Isaac himself turns in a powerhouse performance that keeps the film from completely collapsing, Paul Schrader's psychological drama/character study is too emotionally restrained and underwritten to have its intended impact. What led me to picking The Card Counter was the immense critical acclaim its received-as it currently sits with Rotten Tomatoes and Metacritic scores of 86 and 78 respectively. This was a pretty tricky choice since something like The Last Jedi is too polarizing to qualify as overrated and I really love all of Isaac's more acclaimed stuff ( Ex Machina, Drive, Annihilation). I'd honestly go as far to say that No Country for Old Men, Fargo and True Grit are the only Coen Brothers projects that are better than this near masterpiece and I really hope that more people will discover it down the line. It may not have a cult following or any substantial award recognition to its name, but this intimate character study about a 60's folk singer (Issac) struggling to make it in New York City is one of the most soulful, heartbreaking, darkly funny and superbly acted films that the prolific duo have ever put out. Given its place among one of the most celebrated filmographies in cinema history, Inside Llewyn Davis has pretty much been completely buried underneath the weight of heavy hitters like No Country for Old Men, Fargo and The Big Lebowski. Most Underrated: Inside Llewyn Davis (2013)
What do you get when you combine an edict to cater to a vocal minority of crybaby fans that felt betrayed by the bolder choices Rian Johnson made on The Last Jedi with a group of actors (namely Isaac and John Boyega) that visibly don't want to be there? A lifeless, shamelessly pandering film that completely eviscerated whatever promise this trilogy once had with its limp ending and tarnished the Star Wars brand more than George Lucas' harmlessly goofy prequels ever did. Lowlight: Star Wars: Rise of Skywalker (2019) Refn's intoxicating neon visual style and flare for delivering violence in a visceral, unflinching fashion makes this a brutal noir thriller that's both cool and disturbing as hell. When Refn decided to outsource the script writing for the first (and still only) time in his career, he made a twisted gem in Drive. When Nicolas Winding Refn is left to write his own material, the results tend to be super pretentious and borderline insufferable. This week, I'm profiling the work of Oscar Isaac-whose latest project "Dune" arrives in theaters and on HBO Max tonight.ġ8. Data sources and other information.Welcome to "Ranked"-where I rank a franchise or filmography from worst to best and hand out assorted related accolades. More info at IMDb, Wikipedia, Rotten Tomatoes, Metacritic, Netflix, Wikidata. The site's consensus reads, "The Neon Demon is seductively stylish, but Nicolas Winding Refn's assured eye can't quite compensate for an underdeveloped plot and thinly written characters." On Metacritic, the film has a score of 51 out of 100, based on 45 critics, indicating "mixed or average reviews". It holds a 59% approval rating on review aggregator website Rotten Tomatoes, based on 253 reviews, with an average rating of 5.88/10. Much like Refn's previous film, Only God Forgives, the film received both boos and a standing ovation during its premiere at Cannes Film Festival. The Neon Demon received a mixed response from critics. But Ruby, Gigi and Sarah are capable to do anything to get her "thing".
Jesse attracts he attention of the industry and has a successful beginning of career.
#NEON DRIVE METACRITIC PROFESSIONAL#
Meanwhile the agency considers Jesse beautiful with a "thing" that makes her different and she is sent to the professional photographer Jack. Jesse befriends the lesbian makeup artist Ruby and then the envious models Gigi and Sarah in a party. The aspirant photographer Dean takes photos for her portfolio and dates her. The sixteen year-old aspiring model Jesse arrives in Los Angeles expecting to be a successful model. Elle Fanning, Karl Glusman, Jena Malone, Bella Heathcote